"Multicultural Shakespeare: Translation, Appropriation and Performance Vol. 5(20)"

Spis treści

Contributors 4

Articles 7

A. Luis Pujante, Intellectuals vs. Stars: The Case of Novelli's Shylock 7

Emil Sirbulescu, Shakespeare in Romania: The Meandering Road from Adoption to Adaptation 15

Pilar Ezpeleta Piorno, To love the Moor- The representation of Otherness in Spanish translations of Othello 39

Elżbieta Stanisz, Shakespearean criticism in Poland in the inter-war period (1918-1939) 64

Indrani Deb, The Doublet and Hose: A Question of Identity in As You Like It 75

Dana Mafalda Colarusso, Towards Intercultural Dialogue with Shakespeare 84

Book Reviews 91

Ryuta Minami: Yoshiko Kawachi, Shakespeare's World. Tokyo: Seibido, 2007 91

Piotr Maszewski: Shakespeare's Local Habitation, ed. Krystyna Kujawińska-Courtney, Łódź: University of Łódź Press, 2007 93

Prashant K. Sinha: Soofia Siddiqui, Vijaya Guttal and Palami Arangaswamy, Shakespeare in India: A Selected Checklist of Performances, Translations and Adaptations, Delhi: The Shakespeare Society of India, 2003 99

Xenia Georgopoulou: [Shakespeare's Adaptability], ed. Tina Krontiris, Athens: Ergo, 2005; Tina Krontiris, [Shakespeare, The Renaissance and Ourselves]. Thessaloniki: University Studio Press, 2002; Tina Krontiris, [Macbeth: Critical Approaches]. Thessaloniki: University Studio Press, 2001; Marios Ploritis[The Political Shakespeare: The Tragedy of Power]. Athens: Kastaniotis, 2002 104

Mitali Gangopadhyay: Re-Presenting Shakespeare: Text, Performance and Analysis. (Vol. 1), ed. Sarbani Chaudhury, Kolkata: University of Kalyani & Macmillan, 2002; Re-Presenting Shakespeare: Interpretations And Translations, ed. Sarbani Chaudhury, Kalyani: University of Kalyani, 2002 109

Theatre Reviews 117

Manabu Noda, Jovial Usurper in the Traditional Kyogen Style: Kuninusubito (based on Richard III) at the Setagaya Public Theatre, Tokyo (Japan) 117

Tali Silberstein, King Lear at the Cameri Theatre of Tel-Aviv (Israel) 122

Xenia Georgopoulou, Shakespearean Challenges on the Athenian Stage (Greece) 127