"Multicultural Shakespeare: Translation, Appropriation and Performance Vol. 4(19)"

Table of Contents

Acknowledgements 4

Contributors 5

Foreword 8

Lawrence Guntner, Shakespeare and Europe: History - Performance - Memory 8

Shakespeare and National Traditions 13

Monika Śmiałkowska, Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sands 13

Keith Gregor, Shakespeare at the Espanol: Franco and the Construction of a "National" Culture 24

Tina Krontiris, Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941/1947) 32

Political Shakespeare 47

Veronika Schandl, History - Performance - Memory: Richard III and the Subversion of Theatre in Hungary, 1955 47

Jacek Fabiszak, Shakespeare's Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989) and Othello (1981/1984) 55

Mark Sokolyansky, Richard III in Russian Theatre at the Twilight of the "Thaw" 62

Transformational Shakespeare 69

Stuart Hampton-Reeves, "Done Like a Frenchman": Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations 69

Francesca Rayner, Between Transgression and Institutionalization: Teatro Comuna's Measure for Measure 84

Patricia Lennox, "Romanian" Shakespeare on the New York Stage: Andrei Serban's Hamlet 94

Nancy Isenberg, "That Shakespearian Rome! Work in Progress" An Experiment in Intermedial Criticism 104

Book Reviews 108

Mark Sokolyansky, Irena R. Makaryk. Shakespeare in the Undiscovered Bourn. Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics. Toronto; Buffalo; London: University of Toronto Press, 2004 108

Monika Sosnowska, Foreign Accents: Brazilian Readings of Shakespeare, ed. Aimara da Cunha Resende, Newark and London: University of Delaware Press, 2002 111

Vladimir Vakhrushev, Uilyam Shekspir. Gamlet: V Poiskakh Podlinnika. Perevod, podgotovka teksta originala, kommentarii i vvodnaja statya I. V. Peshkova [Hamlet: In the search of identity. Translation, reconstruction of the original text, comments and introduction by I. V. Peshkov]. Moscow: Labirint-MP, 2003 118

Afterword 121