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EDITORIALNOTE
Wearegladtooferyouanewissueof‘Terminus’.Chronologically
speaking,thisisour22ndmeeting.histimetheissueisnotbuiltaround
anyparticularsubject–thistimeitletsusenjoyvariousmeritsofmiscel-
lanea.Allauthors–thosewhohavebeenworkingwithusforalongtime
aswellasthosewhohavetheirarticlespublishedin‘Terminus’forthe
firsttime–uniteintheirreflectiononapresenceoftheclassicaltradition
inthemodernculture.JoannaDanielskadeliversanin-depthanalysisof
thesongaboutSaintJobwhichhasbeenpresentinourculturefromthe
medievaltimes.JoannaPypłaczexaminesclassicalandmedievalsources
ofNastagiodegliOnesti–anovellafromGiovanniBoccaccio’sheDecam-
eron.ElwiraBuszewiczinvestigatesmotifsofdreamingandsleepingin
theLatinandFrenchverseofPierredeRonsardandJoachimduBallay,
twoleadingpoetsofLaPléiade.MajaJarnuszkiewicz’sarticlepresents
variouscreationmodesofa‘lyricself’intheOldPolish‘autothematic’
poetryinthecontextofmetaphorsofaswan,acricket,andabee.he
17thcenturyisofinteresttothreeresearches:JacekGałażewskiexplores
aspecificrelationshipbeetweenhistoryandnarrativeinJanChryzostom
Pasek’sdiaries;MariaKozłowskaintroducesustosomeissuesoftwo
medievaltranslations(byZygmuntBrudeckiandJanLibicki)ofaLatin
poemDevanitatemundibyJakobBalde;RenataRybaanalysesbaroque
exemplawhichcriticizeoverelegant,thus‘sinful’women’sclothing.Later
periodsarealsotakenintoaccount:the18thcenturyappearsinLucyna
Sterczewska’stextonCarmelitanChristmascarolswhileRafałToczko
turnstomoderntimesandcopeswithPlato’sinfluenceonHans-Georg
Gadamer’sprojectofhermeneutics.
