Treść książki
Przejdź do opcji czytnikaPrzejdź do nawigacjiPrzejdź do informacjiPrzejdź do stopki
Contents
EditorialNote.............................................................v
Introduction
AncientGreekMusic
TepresenceofmusicinancientGreece:.................................vii
TeabsenceofmusicinpopularnotionsabouttheGreco-Roman
world,incontrastwithitshistoricalpresence.-Aspectsoflifewhere
musicwaspresent.Hellenicpoetryaslyricsofmusicalpieces.-
Musicinthegeneraleducationofacitizen.Professionalmusicians.
Tesourcesofevidence:................................................xi
Archeologicalfindings:partsofinstruments,representationsin
art.-Non-professionalwrittensources.-Teoreticaltreatises.-
Survivingmusicalscores.
TetwoapproachesinancientGreekstudyofmusic:......................xiii
TePythagoreansandtheacousticapproach.-Teoryofmusic:
theharmonikoiandAristoxenus.
AncientGreekmusicalscales:...........................................xv
TeperfectconsonantsasthebasisofthescalesofGreekmusic.
-Tefourth(thetetrachord)anditsinternalstructure.Tegenus
ofmelody.-Constructinglargerscalesfromtetrachords.-Te
UnmodulatingPerfectSystem.-Speciesandtonoi.-Modulation.
-Teproblemofabsolutepitch.
Teideaofthepsychagogicandethicalinfluenceofmusic:................xxii
Pythagoreanbeginnings.-PlatoandAristotle:problemsof
interpretation.-Aristoxenus’attitude.
AristoxenusofTarentum
Ontheperson:......................................................xxiv
AristoxenustheMusician,fatherofthescienceofmusicology:............xxv
Aristoxenus’works:..................................................xxv
TheHarmonics
Tetransmissionandconditionofthesurvivingtext:....................xxvi
Contents:BooksIandII:............................................xxvii
TeparallelcompositionofBooksIandII.
III
