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MałgorzataKądziela
MałgorzataKądziela
Performativityanditsfunctions
intheselectedperforativemodelsinmusic
Abstract
Accordingtosomeresearchersperformativemodelsthatareaba-
sisforrealizationorareformedincourseofartisticpracticesinafield
ofmusicareakindofresponsetoanexcessiveconcentrationoftheo-
reticaldiscourseonmusicalpiecethatisidentifiedwithaformalized
musictranscription.Thisarticlecontainsacriticalexaminationofthe
narrativemodelconnectedtothesocalledabsolutemusic.Through
analysingtwomodernmusiccompositionstherewillbeintroduced
twofurthermodels:“participatory”and”oftheperceptiveturn”that
arearespondtotheprocessesofexperimentingwithsound’saudi-
bilitytransgressionandthatrequirethereorganizationofperception
processintonon-audial(amyryngal)perception.Anothersubjectthat
wouldalsobeconsideredisaroleofsomaticdimensionatthewhole
processandanaestheticconsequencesarisingfromaforementioned
models.Therewillbefurnishedaroleofperformativityinaforemen-
tionedmodelsandtheiraestheticconsequences.
