Performing South. The U.S. South as Transmedial Message

Beata Zawadka

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978-83-7972-058-3

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Wydawnictwo Naukowe Uniwersytetu Szczecińskiego

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2015

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248

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

Zawadka, Beata. Performing South. The U.S. South as Transmedial Message. Red. . : Wydawnictwo Naukowe Uniwersytetu Szczecińskiego, 2015, 248 s. ISBN 978-83-7972-058-3

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A1 Zawadka, B.

T1 Performing South. The U.S. South as Transmedial Message

PB Wydawnictwo Naukowe Uniwersytetu Szczecińskiego

YR 2015

SN 978-83-7972-058-3

Bibliografia BibTex:

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Bibliografia endNote:

TY - BOOK

AU - Zawadka, Beata

ED -

TI - Performing South. The U.S. South as Transmedial Message

PB - Wydawnictwo Naukowe Uniwersytetu Szczecińskiego

CY -

PY - 2015

SN - 978-83-7972-058-3

ER -

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Zawadka, Beata. Performing South. The U.S. South as Transmedial Message [baza danych online] : Wydawnictwo Naukowe Uniwersytetu Szczecińskiego, 2015 [dostęp: 22 07 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/performing-south-the-us-south-as-transmedial-message-beata-zawadka-166902.

kultura, Stany Zjednoczone

Performing South. The U.S. South as Trans/medial Message Abstract This collection of twelve essays focuses on how the U.S. South has been playing itself out, locally and globally, as various embodied cultural practices — or performances. The...

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ISBN/ISSN:

978-83-7972-058-3

DOI:

Wydawnictwo:

Wydawnictwo Naukowe Uniwersytetu Szczecińskiego

Rok wydania:

2015

Liczba stron:

248

XML:ISBN/ISSN:

ONIX MARC21

Introduction – Dixie-Land: The U.S. South as a Performative Franchise – Beata Zawadka8
(POST)SPIRITUAL PERFORMANCES24
Remembering Colleagues, Remembering Friends, Remembering Peter Nicolaisen and Noel Polk– Agnieszka Salska26
The Church Performing in the South: From Catholicism to Evangelical Catholicism – John Andreas Fuchs38
Performances Religious and Secular in Chris Fuhrman’s Dangerous Lives of Altar Boys – Marcel Arbeit56
Drama and Trauma in Elizabeth Madox Roberts’ My Heart and My Flesh – Gisele Sigal82
(POST)GENDER PERFOMANCES102
Performing Southern Womanhood in Katherine Anne Porter’s Miranda Stories – Susana María Jiménez Placer104
Homo Performans in Erskine Caldwell’s Short Stories – Irina Kudriavtseva122
The Masquerade of Masculinity in Gone With the Wind. Per(e)forming Men Through Emotions – Emmeline Gross136
(POST)CULTURAL PERFORMANCES158
Performing Ethnicities, Performing Regions: The Crossroads of Time, History, and Culture in Alfred Uhry’s The Last Night of Ballyhoo – John Wharton Lowe160
Come Dine With Me, Or Not: Performing Racial Relations in the Domestic Sphere in Alfred Uhry’s Driving Miss Daisy – Urszula Niewiadomska-Flis178
“Manners Are Not Intelligent, They’re Just Automatic”: Performing the South in Elizabeth Spencer’s For Lease or Sale – Gerald Preher196
Staging Southern Culture: Liminality and Cultural Performance in Donald Davidson’s The Big Ballad Jamboree – Carmen Rueda-Ramos218
Contributors238
Index244

Dixie-Land:TheU.S.SouthasaPerformativeFranchise

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Drugie.No.5(2007):48-61.http://www.staf.amu.edu.pl.AccessedAugust8,

2014.

Erickson,Jon.uAppropriationandTransgressioninContemporaryAmerican

Performance.TeWoosterGroup,HollyHughes,andKarenFinley.”meatre

Journal.Vol.42,No.2(May1990):225-236.

Foucault,Michel.meArcheologyofKnowledge.NewYork:RandomHouse1972.

Irigaray,Luce.misSexWhichIsNotOne.NewYork:TeCornellUniversity

Press1985.

McKenzie,Jon.PerformorElse.FromDisciplinetoPerformance.NewYork:

Routledge2001:18.

Peacock,JamesL.GroundedGlobalism.HowtheU.S.SouthEmbracestheWorld.

Athens:TeUniversityofGeorgiePress2007:loc.2067-2473(Kindleedition).

Román,David.uPerformingAllOurLives.AIDS,Performance,Community.”

CriticalmeoryandPerformance.Ed.JanelleG.Reinelt,JosephR.Roach.Ann

Arbor:TeUniversityofMichiganPress1992:215.

Schechner,Richard.PerformanceStudies.AnIntroduction.NewYork:Routledge

2002.

Sontag,Susan.uNotesonCamp.”ASusanSontagReader.NewYork:Farrar,

Strauss,Giroux1982:114.

FurtherReading

Böhme,Hartmut.FetishismandCulture.ADiferentmeoryofModernity.Berlin:

WalterdeGruyterGmbH2014.

Citron,Atay,SharonAronson-Lehavi,DavidZerbib.PerformanceStudiesinMo-

tion.InternationalPerspectivesandPracticesintheTwenty-FirstCentury.Lon-

don:Bloomsbury2014.

Nycz,Ryszard,AnnaŁebkowska,AgnieszkaDauksza(eds.).Kulturaafektu-afe-

ktywkulturze.Warszawa:InstytutBadańLiterackichPAN2015.

Rajtar,Małgorzata,JustynaStraczuk.Emocjewkulturze.Warszawa:Wydawnic-

twoUniwersytetuWarszawskiego2012.

Ray,Celeste(ed.).SouthernHeritageonDisplay.PublicRitualandEthincDi-

versitywithinSouthernRegionalism.Tuscaloosa:TeUniversityofAlabama

Press2003.

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