The Chopin Games

Ada Arendt, Marcin Bogucki, Paweł Majewski, Kornelia Sobczak

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ISBN/ISSN:

978-83-235-4809-6

DOI:

https://doi.org/10.31338/uw.9788323548096

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2021

Liczba stron:

463

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

Arendt, Ada; Bogucki, Marcin; Majewski, Paweł; Sobczak, Kornelia. The Chopin Games. Red. Majewski, Paweł . Warszawa: Uniwersytet Warszawski, 2021, 463 s. ISBN 978-83-235-4809-6, doi: https://doi.org/10.31338/uw.9788323548096

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A1 Arendt, A.

A1 Bogucki, M.

A1 Majewski, P.

A1 Sobczak, K.

A2 Majewski, P.

T1 The Chopin Games

PB Uniwersytet Warszawski

PP Warszawa

YR 2021

SN 978-83-235-4809-6

DOI https://doi.org/10.31338/uw.9788323548096

Bibliografia BibTex:

@Book{ 246249, author = "Arendt, Ada and Bogucki, Marcin and Majewski, Paweł and Sobczak, Kornelia", editor = "Majewski, Paweł", title = "The Chopin Games", publisher = "Uniwersytet Warszawski", year = "2021", address = "Warszawa", isbn = "978-83-235-4809-6", doi = "https://doi.org/10.31338/uw.9788323548096" }

Bibliografia endNote:

TY - BOOK

AU - Arendt, Ada

AU - Bogucki, Marcin

AU - Majewski, Paweł

AU - Sobczak, Kornelia

ED - Majewski, Paweł

TI - The Chopin Games

PB - Uniwersytet Warszawski

CY - Warszawa

PY - 2021

SN - 978-83-235-4809-6

ER -

DOI - https://doi.org/10.31338/uw.9788323548096

Netografia (standard APA):

Arendt, Ada; Bogucki, Marcin; Majewski, Paweł; Sobczak, Kornelia. Red. Majewski, Paweł. The Chopin Games [baza danych online] Warszawa: Uniwersytet Warszawski, 2021 [dostęp: 28 04 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/the-chopin-games-ada-arendt-marcin-bogucki-246249. doi: https://doi.org/10.31338/uw.9788323548096

Fryderyk Chopin, konkurs pianistyczny, Martha Argerich, Krystian Zimerman, Ivo Pogorelić, zjawisko kulturowe, Chopin Competition, cultural phenomenon, piano competition

The book presents the history of the International Fryderyk Chopin Piano Competition narrated from the anthropological-cultural perspective and based on extensive source material, which enabled the authors to explore the less known aspects of one ...

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ISBN/ISSN:

978-83-235-4809-6

DOI:

https://doi.org/10.31338/uw.9788323548096

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2021

Liczba stron:

463

XML:ISBN/ISSN:

ONIX MARC21

IntroductionPaweł Majewski7
Paweł Majewski17
Paweł Majewski43
Paweł Majewski69
Ada Arendt114
Ada Arendt137
Ada Arendt162
Ada Arendt178
Kornelia Sobczak195
Kornelia Sobczak215
Kornelia Sobczak238
Kornelia Sobczak274
Paweł Majewski302
Paweł Majewski322
Marcin Bogucki339
Marcin Bogucki357
Marcin Bogucki382
Marcin Bogucki416
Conclusion. The Chopin Competition in the Contextof Its TimesPaweł Majewski442
Index of Persons446
The 1st Competition. The Difficult Beginnings. 23rd–30th January1927
The 2nd Competition. Opening Up to the World. 6th–23rd March1932
The 3rd Competition. In the Shadow of Imminent War. 21st February–12th March1937
The 4th Competition. Chopin Hijacked. 15th September–15th October1949
The 5th Competition. In Jasna Street. 22nd February–21st March1955
The 6th Competition. A Chopiniade on a Nocturne. 22nd February–13th March1960
The 7th Competition. The Gombrowicz Edition. 22nd February–13th March1965
The 8th Competition. (At Last) an Ordinary Competition. 7th–25th October1970
The 9th Competition. Con amore. 7th–28th October1975
The 10th Competition. A Rebel’s Triumph. 2nd–19th October1980
The 11th Competition. Hardliners and Tanks. The Competition at the Crossroads. 30th September–20th October1985
The 12th Competition. The Difficult Transition Period. 1st–20th October1990
The 13th Competition. Crisis Continues. 1st–22nd October1995
The 14th Competition. Chopin Goes Global. 4th–22nd October2000
The 15th Competition. The Blechacz Craze. 2nd–24th October2005
The 16th Competition. Between Progress and Ressentiment.2nd–23rd October2010
The 17th Competition. Chopin in the Multiculti Era?1st–23rd October2015

PawełMajewski

formancestandards,theymaybedisappointedwiththisbook.Oneofour

mainsubjectsisthePolishdisputeaboutGhowbesttoplayChopin’1,andwe

emphasisethefactthatnoagreementandnolastingcompromisehasever

beenreachedwithregardtothisissue.

Nordidweattempttocollectalltheavailablebackstageanecdotesand

personalmemoriesoftheCompetitionparticipantsandjurors.Severalbooks

dedicatedtosuchmemorieshavebeenpublished,soourreaderscansatisfytheir

interestinthisrespect.Ontheotherhand,wehavehadnointentionofcreat-

ingadullrepertory.Thisiswhywehaveincludedmentionsofeventswhich

provethattheChCisnotonlyanoblecelebrationofart,butalsothework

offalliblepeoplewhohavetheirweaknesses,makemistakesandcommitblun-

ders.Ofmuchsigniﬁcancetotheimagethatwepresenthereisalsothereception

oftheCompetitioninthecollectiveconsciousnessofthePolishsociety,andthe

variousculturalinitiativesundertakeninthecontextoftheCompetition.

II.MethodologicalRemarksConcerningthe

InterpretationoftheChopinCompetition

asaCulturalPhenomenon

Inthelate20thandearly21stcenturies,theworld’shumanitieshavegone

throughahailofnewexperiencesandGturns’,oneofwhichwasaturn

towardanalysingperformingartsintheirphenomenologicalaspect.This

meansthat,ratherthanwritingtextsaboutothertexts,asithasbeendone

forthelasttwocenturies,academicexpertsintheartsbegantowriteabout

images,soundsandactivities.

Realisingthescaleofthequalitativechangebroughtaboutbyapplying

thismethodisnoteasy,sincethechangeisapparentlynotgreat.Thestudy

ofgraphicarts,music,theatreandﬁlmhasdevelopedforalongtimeand

ledtomajorachievements.Itmustbestressed,however,thatuntilthelast

decadesofthe20thcenturythosedisciplinesofstudytreatedtheirobjects

ofresearchastextsofaspeciﬁckind,i.e.asentitiescharacterisedbyinher-

entandstablemeaningorsetofmeanings,whichcanbeidentiﬁedinthe

studiedmaterialasaresultofintellectualproceduresdeﬁnedbytext-centred

humanitiesfocusedonliteraryandphilosophicaltextanalysis.

Thus,astudyoftheGtheatre’focusedontheprocessofstagingthelit-

erarytext,andsawallthetextual-descriptiveaccountsofthegivenproduc-

1Throughoutthisbook,singlequotationmarksrefertoconcepts,notions,wordsused

inanon-literalorironicsense,aswellasGquotationswithinquotations’.Doublequotation

marksareusedforquotationsfromsources,aswellasnamesofhotels,titlesofnewspapers

andperiodicals,etc.(translator’snote).

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The Chopin Games

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