From Queen Anne to Queen Victoria. Volume 7

Grażyna Bystydzieńska, Emma Harris

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ISBN/ISSN:

978-83-235-5284-0

DOI:

https://doi.org/10.31338/uw.9788323552840

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2021

Liczba stron:

217

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

. From Queen Anne to Queen Victoria. Volume 7. Red. Bystydzieńska, Grażyna; Harris, Emma . Warszawa: Uniwersytet Warszawski, 2021, 217 s. ISBN 978-83-235-5284-0, doi: https://doi.org/10.31338/uw.9788323552840

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A2 Bystydzieńska, G.

A2 Harris, E.

T1 From Queen Anne to Queen Victoria. Volume 7

PB Uniwersytet Warszawski

PP Warszawa

YR 2021

SN 978-83-235-5284-0

DOI https://doi.org/10.31338/uw.9788323552840

Bibliografia BibTex:

@Book{ 260718, author = "", editor = "Bystydzieńska, Grażyna and Harris, Emma", title = "From Queen Anne to Queen Victoria. Volume 7", publisher = "Uniwersytet Warszawski", year = "2021", address = "Warszawa", isbn = "978-83-235-5284-0", doi = "https://doi.org/10.31338/uw.9788323552840" }

Bibliografia endNote:

TY - BOOK

AU -

ED - Bystydzieńska, Grażyna

ED - Harris, Emma

TI - From Queen Anne to Queen Victoria. Volume 7

PB - Uniwersytet Warszawski

CY - Warszawa

PY - 2021

SN - 978-83-235-5284-0

ER -

DOI - https://doi.org/10.31338/uw.9788323552840

Netografia (standard APA):

. Red. Bystydzieńska, Grażyna; Harris, Emma. From Queen Anne to Queen Victoria. Volume 7 [baza danych online] Warszawa: Uniwersytet Warszawski, 2021 [dostęp: 22 07 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/from-queen-anne-to-queen-victoria-volume-7-grazyna-bystydzienska-emma-260718. doi: https://doi.org/10.31338/uw.9788323552840

XIX wiek, XVIII wiek, królowa Wiktoria, kultura brytyjska, literatura brytyjska, 19th century, 18th century, Queen Victoria, british literature, british culture, królowa Anna, Queen Anne

Od królowej Anny do królowej Wiktorii. Wykłady o literaturze i kulturze brytyjskiej z XVIII i XIX wieku. Tom 7

Siódmy tom serii "From Queen Anne to Queen Victoria" zawiera zarówno nowe odczytania podejmowanych wcześniej zagadnień, jak i ana...

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ISBN/ISSN:

978-83-235-5284-0

DOI:

https://doi.org/10.31338/uw.9788323552840

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2021

Liczba stron:

217

XML:ISBN/ISSN:

ONIX MARC21

From the Editors7
Representations of Queen Anne11
Ana Clara BirrentoThe Possible Worlds of Oliphant and Eliot in Miss Marjoribanks and Middlemarch21
Rebecca W. BoylanSaving Face: Respecting Nature’s Inversions in Thomas Hardy’s A Pair of Blue Eyes31
Grażyna Bystydzieńska“In religion all roads have their obstacles”. Loss and Gain by John Henry Newman as a Conversion Narrative41
Paul Goring“I saw the Man, that saw the Man, that said he saw this wondrous Sight”: Mediating the Spectacle of George III’s Coronation in the Newspapers53
Michael HollingtonDickens the Vagabond and the Tradition of Nightwalking65
“We must marry ’em”: Marriages and Endings in Charles Dickens’s Dombey and Son79
Joanna KokotThe “(Un)fair Play” Method in Arthur Conan Doyle’s Sherlock Holmes Tales89
Marta KomstaProgress and/as Utopia in James Hume Nisbet’s The Great Secret: A Tale of To-morrow103
Cultivating the Imagination: Plants and Flowers in Later Victorian Poetry113
Monika MazurekReviving the Anglican Confession in the Victorian Novel139
Magdalena PypećDickens Writes Trauma: Post-Traumatic Stress Disorder in The Mystery of Edwin Drood149
1827: Real, Fictional, and Mythic Time in The Pickwick Papers165
Katarzyna StrzyżowskaPolitical Plotters or Puppets? The Role of Women at the Court of Queen Anne179
Urszula Terentowicz-FotygaThe Semiotics of the Gothic Country House in Jane Austen’s Northanger Abbey189
Figures of Hypocrisy: Pity and Poverty in Charles Dickens’s Hard Times201

FromtheEditors

inDickens’snovelswithanilluminatingpresentationofthematerialculture

ofthe19thcentury,illustratingtheimportanceforDickensoftheLondon

cityscapeandofferinganalysisoftheanthropologicalaspectsofnight,darkness,

fire.DominicRainsford[41827:Real,Fictional,andMythicTimeinThe

PickwickPapers’]engageswiththeproblemsofhistoricity,universality,and

anachronisminfiction,discussingthenovel’schronologyintermsofDickens’s

personalhistory;hissenseofthesocialandpoliticalspecificsofthe1820s;

theamateurantiquarianismthatissatirisedwithinthenovel;anditsfictional

placementinaliteraryno-man’s-landbetweenRomanticismandtheVictorian.

SophiaJochen[4“Wemustmarry’em”:MarriagesandEndingsinCharles

Dickens’sDombeyandSon’]addressesthequestionofwhethermarriagewas

reallyahappyendingforthewomeninDickens’snovels,demonstratingthatin

thecaseofDombeyandSon,itispresentedasafrequentlyfarcicaltradition

whichdoesnotintroducethelife-enhancingchangesthattheprotagonistsdesire.

MagdalenaPypeŠ[4DickensWritesTrauma:Post-TraumaticStressDisorderin

TheMysteryofEdwinDrood’]examinesthedepictioninEdwinDroodof

acolonialothersufferingfromapathologicalmentalandemotionalcondition,

andconcludesthatDickenswasdescribingPTSDsymptoms,whileatthe

sametimeindicatingpathwaystohealingandrecovery.PrzemysŠawUŠcinski

[4FiguresofHypocrisy:PityandPovertyinCharlesDickens’sHardTimes’]

arguesthatinHardTimes,Dickensusedparodyandironytoexpose

utilitarianismashypocritical,andexaminesthetextualdevicesandintertextual

referencesemployedtothisend;healsodiscussestheaestheticsofthenovel.

VictorianpoetryisappraisedbyCatherineMaxwell[4Cultivatingthe

Imagination:PlantsandFlowersinLaterVictorianPoetry’]inanessaywhich

discussestherepresentationofflorainthepoetryoftheperiod.Sheshowsthat

poemsusuallyinvokeflowersimpressionisticallyforanincidentalatmospheric

contributionorforsymbolicorpersonalassociations,beforegoingontoanalyse

poemsbyConstanceNaden,LaurenceBinyon,AlgernonCharlesSwinburne

andKatherineBradleythatlookattentivelyatplantsandflowers.Victorian

fictionhasattractedconsiderableattention.AnaClaraBirrento[4ThePossible

WorldsofOliphantandEliotinMissMarjoribanksandMiddlemarch’]evaluates

themodesusedbythetwonoveliststoconstructpossibleworldsforwomen

characters,discussingtherelationshipbetweentheprivatelivesofmenand

womenandthepublicissuesofcultureandsociety.RebeccaWarburtonBoylan

[4SavingFace:RespectingNature’sInversionsinThomasHardy’sAPairof

BlueEyes’]arguesthatinthis1873novelHardyusesphotographicimpressions

ofdisruptedrealismtoshowhowawoman’srescueofamanmomentarily

promisesanewregardforthewoman,buteventuallyreleasesatorrentof

destructivesecretsandlies.JoannaKokot[4The“(Un)fairPlay”Methodin

ArthurConanDoyle’sSherlockHolmesTales’]examinestheimportofthe

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From Queen Anne to Queen Victoria. Volume 7

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