Genius and Melancholia

Dorota Mackenzie

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ISBN/ISSN:

978-83-235-5933-7

DOI:

https://doi.org/10.31338/uw.9788323559337

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2023

Liczba stron:

283

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

Mackenzie, Dorota. Genius and Melancholia. Red. . Warszawa: Uniwersytet Warszawski, 2023, 283 s. ISBN 978-83-235-5933-7, doi: https://doi.org/10.31338/uw.9788323559337

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A1 Mackenzie, D.

T1 Genius and Melancholia

PB Uniwersytet Warszawski

PP Warszawa

YR 2023

SN 978-83-235-5933-7

DOI https://doi.org/10.31338/uw.9788323559337

Bibliografia BibTex:

@Book{ 299370, author = "Mackenzie, Dorota", editor = "", title = "Genius and Melancholia", publisher = "Uniwersytet Warszawski", year = "2023", address = "Warszawa", isbn = "978-83-235-5933-7", doi = "https://doi.org/10.31338/uw.9788323559337" }

Bibliografia endNote:

TY - BOOK

AU - Mackenzie, Dorota

ED -

TI - Genius and Melancholia

PB - Uniwersytet Warszawski

CY - Warszawa

PY - 2023

SN - 978-83-235-5933-7

ER -

DOI - https://doi.org/10.31338/uw.9788323559337

Netografia (standard APA):

Mackenzie, Dorota. Genius and Melancholia [baza danych online] Warszawa: Uniwersytet Warszawski, 2023 [dostęp: 22 07 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/genius-and-melancholia-dorota-mackenzie-299370. doi: https://doi.org/10.31338/uw.9788323559337

geniusz, melancholia, performance, Fryderyk Chopin, gruźlica, performatyka, melancholy, genius, tuberculosis

Geniusz i melancholia. Fryderyk Chopin i pedagogika romantyzmu w aspekcie nauk performatywnych

Książka jest interdyscyplinarnym studium funkcjonowania wybitnej jednostki w społeczeństwie. Przedmiot rozważań badaczki to z jednej strony sposó...

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ISBN/ISSN:

978-83-235-5933-7

DOI:

https://doi.org/10.31338/uw.9788323559337

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2023

Liczba stron:

283

XML:ISBN/ISSN:

ONIX MARC21

Acknowledgments9
Introduction11
Abbreviations17
Chopin as a Suffering Melancholic GeniusChapter 1. Performance of the Body 21 Romantic Genius and the Divine Malady22
Tuberculosis: Its Romantic Metaphors in Popular Culture versus Medical Etiology25
Fryderyk Chopin – the Suffering Genius – Case Study under a Performative Lens31
Banishing TB – Internal and External Asylums – Mallorca and Nohant39
The Many-Faced Disease – Chopin Aut Deus, Aut Daemon50
Romantic Gothicism54
Water and the Melancholic Victory of Sorrow59
Genius63
Chapter 2. Performance of Spirit 73 Genius, Melancholia, and Inspiration73
Furor Romanticus – Furor Melancholicus75
Chopin’s Algorithm of Existential Sorrow – Moja Biéda80
From Melancholia Generosa to Modern Genius87
Nullum magnum ingenium sine mixtura dementiae – Some Aspects of the Romantic Genius, le Génie Mélancolique91
(Non-)Prophet96
Romantic Genius and Psychoanalysis – the Concept of Inward Performative Personality and Shame100
Virtuosos”111
Performance on the Verge – Between the Enlightenment and Romanticism: Building the Grounds for Correspondance des Arts119
Shifting Codes of Representation – the Virtuoso of Caricature and Improvisation126
The Epiphany of the Virtuoso: Pinpointing the Mystery132
Microcosme et Microthée: The Piano as the Divine Telegraph and the Instrument of the Nineteenth Century138
Bel Canto, or the Tubercular Song145
Tempo Rubato: Towards Celebrityism à Rebours150
Salons157
“Playing House”168
Lucrezia Floriani’s Doll Effect177
Gender Ambivalence in the Representation of the Genius Dandy182
Chopin Flâneur? Espaces Imaginaires189
Cosmopolitanism200
Soul213
Transcendental Chopin – Conversations with God221
Chopin’s Epistemology – Tere bzdere kuku – Music as Existence228
Mason without an Apron – Chopin and Freemasonry232
Chopin the Philistine? In the arms of Biedermeier, “Domesticized Romanticism”236
Epilogue. In the Shadow of the Romantic Paradigm 241 Chopin’s Afterlife – towards the Chopin Olympics – Apollo and Marsyas241
Performativity245
Bibliography249
Index of Persons271

INTRODUCTION

AbyWarburg,

asthepatronsaintofinterdisciplinaryinvestigations,wastherefore

oneofmyguidesthroughthedensematterofmystudies.

TheperformanceofChopin’slifeandworkisopentospeculationandfantasy,

asthemajorityofsourcesweredestroyedduringthetwoworldwars,theWarsaw

Uprisingandasaresultofpersonalvendettasofpeoplefromhiscirclewhowere

willingtoshapethedesiredimageofthecomposertothebenefitofthemselves.

Everygenerationofbiographersandscholarsprojectsitsownaestheticsanddesires

ontheblankcanvascalledFryderykChopin.

Thebook,likeamusicconcert,consistsofthreeparts.Idividedthethree

uChopinianperformances”inthreeareas:theperformanceofthebody,theperfor-

manceofspirit,andfinally-theperformanceofaction.EachoftheseChopinian

performancesisasymbolicculturalactandarevelationofRomanticpedagogy:his

genius,tuberculosis,virtuosity,dandyismandotherdiscourses.Decipheringthese

conceptsplacesusclosertounderstandingthephilosophyofnineteenthcentury

culture-bothhighandpopular.

PartI-uThePerformanceofRomanticism”talksaboutChopinasasuffering

melancholicgenius.Thefirstchapter,uThePerformanceoftheBody”,investigates

theconnectionsbetweenTBandgeniusinthesections:uRomanticGeniusandthe

DivineMalady”;uTuberculosis:ItsRomanticMetaphorsinPopularCultureversus

MedicalEtiology”;tofinallyreachChopin’scasestudyunderaperformativelensin

uFryderykChopin-theSufferingGenius-CaseStudyunderaPerformativeLens”.

LaterIinvestigateuBanishingTB-InternalandExternalAsylums-Mallorcaand

Nohant”andlookatChopin’sdoubleface:uTheMany-FacedDisease-ChopinAut

Deus,AutDaemon”.Thelasttwosectionsareabouttwosignificantliquidsinthe

culturalunderstandingofTB-bloodandwater:uBloodAndTheUncanny-Chopin,

Vampirism,andRomanticGothicism”anduWaterandtheMelancholicVictoryof

Sorrow”.IendthischapterwithuLedernierregardauxtraitsduGrandMaître(KFCII

463):TheExemplaryAgonyoftheUltimateRomanticGenius”.

ThesecondchaptercoversuThePerformanceofSpirit”.Differentaspectsof

MelancholyandGeniusareinvestigated:uGenius,Melancholia,andInspiration”;

uFurorRomanticus-FurorMelancholicus”;uChopin’sAlgorithmofExistentialSorrow

-MojaBiéda”anduFromMelancholiaGenerosatoModernGenius”.Inthenextsec-

tionsIdiscussuNullummagnumingeniumsinemixturadementiae-SomeAspectsofthe

RomanticGenius,leGénieMélancolique”,tofinallytalkaboutChopin’suniquestatus

ofaRomanticprophet:uVoirclairdansleravissement-ChopintheRomantic(Non-)

Prophet”andconcludewithuRomanticGeniusandPsychoanalysis-theConcept

ofInwardPerformativePersonalityandShame”.

PartIIdescribesuThePerformanceofIndividualism”,exploringtheideaof

ChopinasauniqueRomanticVirtuosoandDandy.InChapter3,uTheVirtuoso

Performer”,themainfocusisontherelationsbetweenvirtuosityandperformance,as

GeorgesDidi-Huberman,AbyWarburg,TheSurvivingImage:PhantomsofTimeandTimeofPhantoms,

trans.HarveyMendelsohn,PennsylvaniaStateUniversityPress,UniversityPark,2017.

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