Genius and Melancholia

Dorota Mackenzie

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ISBN/ISSN:

978-83-235-5933-7

DOI:

https://doi.org/10.31338/uw.9788323559337

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2023

Liczba stron:

283

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

Mackenzie, Dorota. Genius and Melancholia. Red. . Warszawa: Uniwersytet Warszawski, 2023, 283 s. ISBN 978-83-235-5933-7, doi: https://doi.org/10.31338/uw.9788323559337

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A1 Mackenzie, D.

T1 Genius and Melancholia

PB Uniwersytet Warszawski

PP Warszawa

YR 2023

SN 978-83-235-5933-7

DOI https://doi.org/10.31338/uw.9788323559337

Bibliografia BibTex:

@Book{ 299370, author = "Mackenzie, Dorota", editor = "", title = "Genius and Melancholia", publisher = "Uniwersytet Warszawski", year = "2023", address = "Warszawa", isbn = "978-83-235-5933-7", doi = "https://doi.org/10.31338/uw.9788323559337" }

Bibliografia endNote:

TY - BOOK

AU - Mackenzie, Dorota

ED -

TI - Genius and Melancholia

PB - Uniwersytet Warszawski

CY - Warszawa

PY - 2023

SN - 978-83-235-5933-7

ER -

DOI - https://doi.org/10.31338/uw.9788323559337

Netografia (standard APA):

Mackenzie, Dorota. Genius and Melancholia [baza danych online] Warszawa: Uniwersytet Warszawski, 2023 [dostęp: 22 07 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/genius-and-melancholia-dorota-mackenzie-299370. doi: https://doi.org/10.31338/uw.9788323559337

geniusz, melancholia, performance, Fryderyk Chopin, gruźlica, performatyka, melancholy, genius, tuberculosis

Geniusz i melancholia. Fryderyk Chopin i pedagogika romantyzmu w aspekcie nauk performatywnych

Książka jest interdyscyplinarnym studium funkcjonowania wybitnej jednostki w społeczeństwie. Przedmiot rozważań badaczki to z jednej strony sposó...

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ISBN/ISSN:

978-83-235-5933-7

DOI:

https://doi.org/10.31338/uw.9788323559337

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2023

Liczba stron:

283

XML:ISBN/ISSN:

ONIX MARC21

Acknowledgments9
Introduction11
Abbreviations17
Chopin as a Suffering Melancholic GeniusChapter 1. Performance of the Body 21 Romantic Genius and the Divine Malady22
Tuberculosis: Its Romantic Metaphors in Popular Culture versus Medical Etiology25
Fryderyk Chopin – the Suffering Genius – Case Study under a Performative Lens31
Banishing TB – Internal and External Asylums – Mallorca and Nohant39
The Many-Faced Disease – Chopin Aut Deus, Aut Daemon50
Romantic Gothicism54
Water and the Melancholic Victory of Sorrow59
Genius63
Chapter 2. Performance of Spirit 73 Genius, Melancholia, and Inspiration73
Furor Romanticus – Furor Melancholicus75
Chopin’s Algorithm of Existential Sorrow – Moja Biéda80
From Melancholia Generosa to Modern Genius87
Nullum magnum ingenium sine mixtura dementiae – Some Aspects of the Romantic Genius, le Génie Mélancolique91
(Non-)Prophet96
Romantic Genius and Psychoanalysis – the Concept of Inward Performative Personality and Shame100
Virtuosos”111
Performance on the Verge – Between the Enlightenment and Romanticism: Building the Grounds for Correspondance des Arts119
Shifting Codes of Representation – the Virtuoso of Caricature and Improvisation126
The Epiphany of the Virtuoso: Pinpointing the Mystery132
Microcosme et Microthée: The Piano as the Divine Telegraph and the Instrument of the Nineteenth Century138
Bel Canto, or the Tubercular Song145
Tempo Rubato: Towards Celebrityism à Rebours150
Salons157
“Playing House”168
Lucrezia Floriani’s Doll Effect177
Gender Ambivalence in the Representation of the Genius Dandy182
Chopin Flâneur? Espaces Imaginaires189
Cosmopolitanism200
Soul213
Transcendental Chopin – Conversations with God221
Chopin’s Epistemology – Tere bzdere kuku – Music as Existence228
Mason without an Apron – Chopin and Freemasonry232
Chopin the Philistine? In the arms of Biedermeier, “Domesticized Romanticism”236
Epilogue. In the Shadow of the Romantic Paradigm 241 Chopin’s Afterlife – towards the Chopin Olympics – Apollo and Marsyas241
Performativity245
Bibliography249
Index of Persons271

INTRODUCTION

wellasdecipheringthephenomenonofpublicconcerts,whichChopinhadsorarely:

uTowardstheBlueNote-Parisof(Pianists,AssesandVirtuosos’”;uPerformance

ontheVerge-BetweentheEnlightenmentandRomanticism.BuildingtheGrounds

forCorrespondancedesArts”;uShiftingCodesofRepresentation-theVirtuosoof

CaricatureandImprovisation”anduTheEpiphanyoftheVirtuoso:Pinpointingthe

Mystery”.Thelastthreesectionsinthischapterare:uMicrocosmeetMicrothée:The

PianoastheDivineTelegraphandtheInstrumentoftheNineteenthCentury”;uBel

Canto,ortheTubercularSong”-wheretheconnectionsofthenineteenthcentury

maladyandsongarelookedat-anduTempoRubato:TowardsCelebrityismàRebours”,

tacklingChopin’suniquemannerofbecomingacelebrity.

InthesecondchapterofPartII,Chapter4,detailinguTheDandyPerformer”,

IanalyzetheexternalandinternalfactorsofbecomingadandyinChopin’scase,

withsectionscovering:uLeBeauMonde-Chopin’sPresenceintheRomanticSalons”,

hisattireandfashionchoicesasanarbiterelegantiarum,aswellashisapartmentsand

thesymbolicnotionofhomeinu(PlayingHouse’”.InthefollowingsectionsIdiscuss

uLucreziaFloriani’sDollEffect”;uGenderAmbivalenceintheRepresentationofthe

GeniusDandy”andconcludewithChopin’simaginaryworlds:uChopinFlâneur?

EspacesImaginaires”.

PartIIIintroducesuChopinasanIdea”andtheongoingperformanceinhisafter-

life.ItplacesthecomposerinaschemeofmultipleRomanticisms:uGeniusPatriae:On

Chopin’sPolishnessandCosmopolitanism”;uRomanticVolksgeist-Chopinandthe

MythicalSlavicSoul”;uTranscendentalChopin-ConversationswithGod”;uChopin’s

Epistemology-Terebzderekuku-MusicasExistence”;u(MasonwithoutanApron’-

ChopinandFreemasonry”anduChopinthePhilistine?IntheArmsofBiedermeier,

(DomesticizedRomanticism’”.

FollowingPartIII,theepilogueuIntheShadowoftheRomanticParadigm”ex-

aminesthegrowingdesiretouperformatizeChopin”.Theconclusion-uTheUltimate

Artist-ChopinagainstPhilistinismandPerformativity”-sumsuptheideasand

conceptstoucheduponintheworkandprovesthatdespitetheculturaltendencies,

Chopinactuallyescapescommonpropensities.

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