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MariaKorusiewicz
Tisaltered-considerablyhumbler-worldviewhas
openedupnewperspectivesforthedialoguebetweennon-
WesterntraditionsandWesternphilosophy,encouraging
thetendenciesfamiliartotheEasternthought:theradical
turntothehumansubjectasthesourceofpowertofind
aproperdwellingintheworld;theprocessesofmelting
downthefirm“I”ofthemodernidealisticphilosophy
intothemultiplicityofdrivesoraggregates;theemphasis
onthephenomenological“presentness”resultinginthe
re-evaluationofexperienceasboththesourceofandthe
guidetoanunderstandingoftheworld.6
Tenewparadigmhasalsomanifesteditselfinthe
expandedscopeofwhatweperceiveandappreciateasart.
Havingtorndowntheconventionalgenreboundaries,the
limitationsoftheself-containedidentityandthetraditional
formsofpresentationandreception,arthasliterallybecome
frameless,blurringtheestablishedstandardsoftheaesthetic
evaluation.Tenewfunctionsofarthaverequiredboth
artandartiststoacquirenewvirtues-theincreasedself-
awareness,thecourageofamythicalwarriorandthe
sharpnessofsight,sinceartshouldnotonlybeabletokeep
pacewiththehumanjourneyintothecoreofourexistence
butitalsohastomoveforwardtothevanguardandbecome
notsomuchtheanswerasthepreciousPromiseofananswer
tothepersistentaskingabouttheSense.Tisimpossible
taskhasinvolvedthepermanentrevolutioninthename
ofthetruthconcealedwithintheworldbut“setting”itself
inaworkofart.(“Tenatureofartwouldthenbethis:
thetruthofbeingssettingitselftowork.[…]Teartwork
opensupinitsownwaytheBeingofbeings.”
7
)Tus,art
6Cf.MariaKorusiewicz,“BetweentheFieldsofFearandGardens
ofCompassion:TeApproachtoNatureinWesternandJapanese
Tradition,”inCivilisationandFear:AnxietyandtheWritingofthe
Subject,eds.WojciechKalagaandAgnieszkaKliś(Cambridge:
CambridgeScholarsPublishing,2012).
7
MartinHeidegger,“OriginoftheWorkofArt,”inArtandIts
Signifcance,ed.StephenDavidRoss(Albany,NY:SUNYPress,1994),
pp.259,261.
