Treść książki
Przejdź do opcji czytnikaPrzejdź do nawigacjiPrzejdź do informacjiPrzejdź do stopki
Spistreści
WPROWADZENIEllllllllllllllllllllllllllllllllllllllllllllllll
1lZamiastbiografiilllllllllllllllllllllllllllllllllllllllllllllll
2lStanbadańikonstrukcjaksiążkillllllllllllllllllllllllllllllllll
9
9
15
I0ESTETYKAJAKOFILOZOFIASZTUKI0ZARYSPROGRAMU
ESTETYCZNEGOMIECZYSŁAWATRETERA
1lCzymwgruncierzeczyjestsztuka?llllllllllllllllllllllllllllllll
1l1lSztukajakoprzedmiotbadańestetykillllllllllllllllllllllllllll
1l2lPróbadefinicjisztukillllllllllllllllllllllllllllllllllllllllll
2lOdpacykarzadogeniusza,czyliodyspozycjachpsychicznych
ipostawachartystylllllllllllllllllllllllllllllllllllllllllllll
3lEkspresjajakoistotasztukillllllllllllllllllllllllllllllllllllll
4lStylijegopochodnellllllllllllllllllllllllllllllllllllllllllll
5lFormaijejkorelatylllllllllllllllllllllllllllllllllllllllllllll
23
24
28
33
44
54
63
II0KRYTYKAARTYSTYCZNAMIECZYSŁAWATRETERA
WOBECSPORÓWOPRYNCYPIAEPOKI
1lSporyopolskąsztukęwspółczesnąlllllllllllllllllllllllllllllll
1l1lSztukaawangardowaijejartystycznekorzeniellllllllllllllllllll
1l2lTęsknotazaporządkiem:odRytmuprzezneoklasycyzmponowy
realizmllllllllllllllllllllllllllllllllllllllllllllllllllllll
1l3lKapiściwofensywielllllllllllllllllllllllllllllllllllllllllll
2lŚledźicytrynakontraułanzdziewczyną,czylispórotemat
wmalarstwiellllllllllllllllllllllllllllllllllllllllllllllllll
2l1lOmalarstwobeznliteratury”lllllllllllllllllllllllllllllllllll
2l2lSpóroMatejkęllllllllllllllllllllllllllllllllllllllllllllllll
81
82
100
113
118
118
120
