Shakespeare's Local Habitations

R.S. White, Krystyna Kujawińska Courtney

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ISBN/ISSN:

978-83-7525-035-0

DOI:

Wydawnictwo:

Wydawnictwo Uniwersytetu Łódzkiego

Rok wydania:

2007

Liczba stron:

246

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

. Shakespeare's Local Habitations. Red. White, R.S.; Courtney, Krystyna Kujawińska . Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 2007, 246 s. ISBN 978-83-7525-035-0

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A2 White, R.

A2 Courtney, K.K.

T1 Shakespeare's Local Habitations

PB Wydawnictwo Uniwersytetu Łódzkiego

PP Łódź

YR 2007

SN 978-83-7525-035-0

Bibliografia BibTex:

@Book{ 5969, author = "", editor = "White, R.S. and Courtney, Krystyna Kujawińska", title = "Shakespeare's Local Habitations", publisher = "Wydawnictwo Uniwersytetu Łódzkiego", year = "2007", address = "Łódź", isbn = "978-83-7525-035-0" }

Bibliografia endNote:

TY - BOOK

AU -

ED - White, R.S.

ED - Courtney, Krystyna Kujawińska

TI - Shakespeare's Local Habitations

PB - Wydawnictwo Uniwersytetu Łódzkiego

CY - Łódź

PY - 2007

SN - 978-83-7525-035-0

ER -

Netografia (standard APA):

. Red. White, R.S.; Courtney, Krystyna Kujawińska. Shakespeare's Local Habitations [baza danych online] Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 2007 [dostęp: 04 05 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/shakespeares-local-habitations-rs-white-krystyna-kujawinska-5969.

Szekspir, Shakespeare, Wielka Brytania, recepcja Szekspira, Romeo i Julia, Hamlet, Makbet, Otello, Król Lear

Shakespeare, the most popular in the world „British export product,” is the main subject of this collection of essays. Their authors, eminent world specialist of his artistic output, devoted their contribution to selected aspects of it...

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ISBN/ISSN:

978-83-7525-035-0

DOI:

Wydawnictwo:

Wydawnictwo Uniwersytetu Łódzkiego

Rok wydania:

2007

Liczba stron:

246

XML:ISBN/ISSN:

ONIX MARC21

ntroduction (R. S. White)3
National Shakespeares9
Krystyna Kujawińska-Courtney, From Kott to Commerce: Shakespeare in Communist and Post-Communist Poland9
Werner Habicht, Shakespeare, the Age of Shakespeare, and Shakespeare Reception29
Murray J. Levith, Shakespeare and Mao, 1949-196639
Laurence Wright, Shakespeare in South Africa: `Alpha´ and `Omega´52
Sukanta Chaudhuri, Shakespeare in India75
Alan Brissenden, Australian Shakespeare92
R. S. White, Australian Shakespeare: scholarship and criticism111
Local Shakespeares125
Li Lan Yong, Romeos and Juliets, Local/Global125
Paul J. C. M. Franssen, Arawaks and Caribs: Shakespeare´s Tempest and the Indians145
MacDonald Jackson, All Our Tribe: The Maori Merchant of Venice155
Herb Weil, Whose Dogberry? Or The Afterlife of John Barton´s `Raj´ Much Ado166
Ian Maclennan, ``Puzel hath bravely played her part´´: National Sensibilities in English and Canadian Adaptations of Shakespeare´s Henry VI in 2002179
Rose Gaby, Zootango´s Garden Shakespeare: Hobart 1992-1996185
New Media and the Global Village192
H. R. Coursen, Shakespearean Offshoots192
Fiona Brideoake, From ``Nobody´´ to ``The Author´´: Shakespeare in Love and the Rewriting of History213
Michael Best, New Silk and Old Sack: Performing Shakespeare in New Media226
Heather Nimmo, Writing Shakespeare237
Contributors242

thoseequippedwithwings,lightandmobile,couldkeepmovingtomore

congenialclimes.Suchasurvivalinstinctstillguidestheirannualmigrations.

OneimageofShakespeareisthatofthebirdamongthedinosaurs.Beaumont

andFletchermaybeleftwellbehindandnowlockedinscholars,libraries,

whereasShakespeare,splayscontinuetomigrateandadaptwithanalmost

uncannyself-agency.

Shakespeare,sownastonishingmetamorphosesareasmanifoldasthe

appropriationsofhisplays.Asapersonlivinginhisowntimeshewas

aprofessionaldramatist,actorandtheatreshareholder,apparentlywithoutthe

publicegotismofMarloweorJonsonbutwellliked,successfulandeven,as

timewenton,a‘‘brandname,,thatwouldsellscriptsandattractanaudience.

DownthroughthecenturiesinEnglandhehasturnedintonationalpoet,

imperialisticon,intellectualpolymath,conservativeorfreedomfighter,abogy

toanti-imperialists,anti-populistsymbolofelitismandsnobbery.Injustone

decade,the1980s,hewasfirsttrustedasawriterwhorepresentedauthentic

femaleexperience–Shakespearethenknew‘theNatureofWomen,ifJuliet

Dusinberre,stitlecanbetrusted,2‘‘TheNatureofWomanhood,,accordingto

LindaWoodbridge.3Thenhewasreviledasmisogynist,andhomophobic

upholderofthenormativenessofheterosexualroles.Brieflyhebecamean

overthomosexualandeven‘thenoblestfeministofthemall,.Biographershave

recreatedhimastorturedromantic,businessman,andanobese,andunpleasant

time-server.4Hisworkshavebeenappropriatedbyproto-fascistsanddedicated

socialistsalike,tojustifytheirpointsofview.Oncetheprovinceofromantic

poetsandwarleaders,hisplayshavebecomesource-booksforcorporate

businessmanagers5andadvertisingagenciesAllalong,theyhavebeen

transmutedintovirtuallyeveryotherartisticform:painting,song,opera,poems,

plays,novels,andfilms.

NorisitjustAngloSaxonswhohaveshownsuchenthusiasmforap-

propriatingShakespeare.Hisworkshavebeenmediatedbyvariousnational

poetstoturnhimintoacentralfigureinnon-Englishcultures.6Trans-

latedbyPasternakhebecameRussia,snationalpoet,byGoethehebecame

2J.Dusinberre,Shakespeareandthenatureofwomen,NewYork1996,St.Martin,s

Press.

3L.Woodbridge,WomenandtheEnglishRenaissance:literatureandthenatureof

womankind,1540–1620,Brighton1984,HarvesterPress.

4SeeS.Schoenbaum,Shakespeare’sLives,Oxford1991;G.Taylor,Reinventing

Shakespeare:ACulturalHistoryfromtheRestorationtothePresent,London1989,andmost

recently(andprovocatively),K.Duncan-Jones,UngentleShakespeare:ScenesfromhisLife,

London2001.

5J.WhitneyandT.Packer,PowerPlays:Shakespeare’sLessonsinLeadershipand

Management,NewYork2000.

6Seegenerally,ForeignShakespeare:ContemporaryPerformance,ed.D.Kennedy,Cam-

bridge1993,andShakespeareandNationalCulture,ed.J.J.Joughin,Manchester1997.

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