The Art of Literature, Art in Literature

Magdalena Bleinert, Izabela Curyłło-Klag, Bozena Kucala

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ISBN/ISSN:

978-83-233-3779-9

DOI:

Wydawnictwo:

Wydawnictwo Uniwersytetu Jagiellońskiego

Rok wydania:

2014

Liczba stron:

163

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

. The Art of Literature, Art in Literature. Red. Bleinert, Magdalena; Curyłło-Klag, Izabela; Kucala, Bozena . : Wydawnictwo Uniwersytetu Jagiellońskiego, 2014, 163 s. ISBN 978-83-233-3779-9

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A2 Bleinert, M.

A2 Curyłło-Klag, I.

A2 Kucala, B.

T1 The Art of Literature, Art in Literature

PB Wydawnictwo Uniwersytetu Jagiellońskiego

YR 2014

SN 978-83-233-3779-9

Bibliografia BibTex:

@Book{ 167885, author = "", editor = "Bleinert, Magdalena and Curyłło-Klag, Izabela and Kucala, Bozena", title = "The Art of Literature, Art in Literature", publisher = "Wydawnictwo Uniwersytetu Jagiellońskiego", year = "2014", address = "", isbn = "978-83-233-3779-9" }

Bibliografia endNote:

TY - BOOK

AU -

ED - Bleinert, Magdalena

ED - Curyłło-Klag, Izabela

ED - Kucala, Bozena

TI - The Art of Literature, Art in Literature

PB - Wydawnictwo Uniwersytetu Jagiellońskiego

CY -

PY - 2014

SN - 978-83-233-3779-9

ER -

Netografia (standard APA):

. Red. Bleinert, Magdalena; Curyłło-Klag, Izabela; Kucala, Bozena. The Art of Literature, Art in Literature [baza danych online] : Wydawnictwo Uniwersytetu Jagiellońskiego, 2014 [dostęp: 07 07 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/the-art-of-literature-art-in-literature-magdalena-bleinert-izabela-167885.

dialog between literature and visual arts, American modernism, post-modern literaturę, literary discourse

The volume consists of twelve essays centred around the idea of dialogic exchange between literature and visual arts (mainly painting), which since the turn of the 19th and 20th centuries has been steadily growing into prominence among literary ex...

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ISBN/ISSN:

978-83-233-3779-9

DOI:

Wydawnictwo:

Wydawnictwo Uniwersytetu Jagiellońskiego

Rok wydania:

2014

Liczba stron:

163

XML:ISBN/ISSN:

ONIX MARC21

Introduction10
1. Wacław Rapak, Craft ing Between Codes – Henri Michaux14
2. Šárka Bubíková, The Urban Energy of American Modernism: Charles Demuth’s Portrait of W.C. Williams24
3. Anna Walczuk, Ekphrasis as a Path to Epiphany34
4. Bożena Kucała, The Colours of Life: A.S. Byatt’s The Matisse Stories46
5. Magdalena Bleinert, “A Less Uneasy Time”: Vita Sackville West’s Portrayal of Knole in The Edwardians56
6. Wojciech Szymański, Aretino’s Eyes: Looking at Paintings in Hilary Mantel’s Wolf Hall66
7. Robert Kusek, Against Iconicity: The Testament of Mary by Colm Tóibín78
8. Karolina Kolenda, A Diff erent Kind of Longing. Image and Text in W.G. Sebald’s Austerlitz94
9. Izabela Curyłło-Klag, War and the Visual Arts in Pat Barker’s Life Class and Toby’s Room102
10. Marek Pawlicki, The Art of Writing and the Art of Remembering in The Book of Evidence, Ghosts, Athena and The Sea by John Banville112
11. Sławomir Kozioł, “Life is more difficult for the serious artist” – Question of Art in William Gibson’s Pattern Recognition124
12. Jan Rybicki, Visualizing Literature: Artistic Statistics138

Introduction

portrayingagenerationofSladeSchoolpainterswhosecareersweremarred

bytheoutbreakoftheGreatWar,focusontheresponsibilitiesofthosewho

servedasolcialwarartistsorutilizedtheirdrawingskillstohelpreconstruc-

tionsurgeons,andultimatelyrevealthetherapeuticdimensionofpainting

(IzabelaCuryłło-Klag).InhisarttrilogyTeBookofEvidence,Ghosts,and

Athena,aswellasintheBooker-prizewinningTeSea,JohnBanvillecon-

centratesonthefunctionofmemorywhich,likeart,canfreezesigniﬁcant

momentsintimeandturnthemintoimages,thusbringingthepastintothe

present(MarekPawlicki).

Alongwithattemptstodeﬁneandredeﬁneartanditsfunction,the20th

centurysawyetanotheraspectofcreativeworkcometoprominence:the

emergenceofnewmedia,whichentailentirelynewmethodsoftheproduc-

tionandreproductionofart.WilliamGibson)sPatternRecognitionhighlights

themutualinterdependencesofart,marketingandbusinessinthecontem-

poraryworld,demonstratinghowthetraditionaloppositionbetweenuhigh”

andupopular”artbecomesblurredinthedynamicsofproductionandre-

ception(SławomirKozioł).Finally,asnewtrendsappearamongthewell-

establishedapproachestoliterature,newinsightsmaybegainedbyapplying

them.Astylometricanalysisof19th-centurynovelsyieldscolourfulcomputer

graphicswhichmightarguablybeconsideredasaformofabstractartthem-

selves,butwhichatthesametimehaveaclassiﬁcational,interpretative,and

representationalvalue(JanRybicki).

Teessaysinthiscollectionpointinsomeofthedirectionswhichliterary

criticismmaytake,followingpoetsandwriterswhohaveexpandedtheirdis-

coursetoincludenon-literaryformsofart.Suchdirectionsarecountless,as

perspectivesonartwillcontinuetoevolve,alongwithchangesanddevelop-

mentswhichshapeandmodifyhumanexistencefromdecadetodecade.Lit-

eraturewillcontinuetorecordandreﬂectonthisprocessinitsownunique

voice,sharinginart)spurpose,whichis-toquotethefamousaphorismof

GlennGould)s-uthelifelongconstructionofastateofwonder.”

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