The Self Industry: Therapy and Fiction

Jarosław Szurman, Agnieszka Woźniakowska, Krzysztof Kowalczyk-Twarowski

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ISBN/ISSN:

978-83-8012-425-7

DOI:

Wydawnictwo:

Uniwersytet Śląski

Rok wydania:

2015

Liczba stron:

370

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

. The Self Industry: Therapy and Fiction. Red. Szurman, Jarosław; Woźniakowska, Agnieszka; Kowalczyk-Twarowski, Krzysztof . Katowice: Uniwersytet Śląski, 2015, 370 s. ISBN 978-83-8012-425-7

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A2 Szurman, J.

A2 Woźniakowska, A.

A2 Kowalczyk-Twarowski, K.

T1 The Self Industry: Therapy and Fiction

PB Uniwersytet Śląski

PP Katowice

YR 2015

SN 978-83-8012-425-7

Bibliografia BibTex:

@Book{ 154590, author = "", editor = "Szurman, Jarosław and Woźniakowska, Agnieszka and Kowalczyk-Twarowski, Krzysztof", title = "The Self Industry: Therapy and Fiction", publisher = "Uniwersytet Śląski", year = "2015", address = "Katowice", isbn = "978-83-8012-425-7" }

Bibliografia endNote:

TY - BOOK

AU -

ED - Szurman, Jarosław

ED - Woźniakowska, Agnieszka

ED - Kowalczyk-Twarowski, Krzysztof

TI - The Self Industry: Therapy and Fiction

PB - Uniwersytet Śląski

CY - Katowice

PY - 2015

SN - 978-83-8012-425-7

ER -

Netografia (standard APA):

. Red. Szurman, Jarosław; Woźniakowska, Agnieszka; Kowalczyk-Twarowski, Krzysztof. The Self Industry: Therapy and Fiction [baza danych online] Katowice: Uniwersytet Śląski, 2015 [dostęp: 03 07 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/the-self-industry-therapy-and-fiction-jaroslaw-szurman-agnieszka-154590.

psychologia, terapia, literatura

Publikacja dotyczy problemów powstałych na styku literatury i psychologii, w szczególności terapeutycznej funkcji tekstów, zarówno w odniesieniu do ich autorów, jaki i do czytelników. Autorzy poszczególnych artykułów poddają analizie różnorodne te...

Więcej

ISBN/ISSN:

978-83-8012-425-7

DOI:

Wydawnictwo:

Uniwersytet Śląski

Rok wydania:

2015

Liczba stron:

370

XML:ISBN/ISSN:

ONIX MARC21

ContentsIntroduction /9
Part OneNarcissists and Neurotics. Writing of DissentNiclas JohanssonNarcissus and Narcissism in Early Psychoanalysis: The Intertextual Dialogue between Theme and Concept /15
Maria KorusiewiczThe Ajase Complex and Freudian Psychoanalysis: Some Notes on the Cultural Consequences of “Foundational Myths” /27
A Critique of the Discourse of the Self in Michael Sandel’s Liberalism and the Limits of Justice /40
Stephen DewsburyThe Self in Temporary Autonomous Zones /53
Benjamin BetkaDe-Pressed Masses: Affective Dissonance in Melancholia, Disease, and the Screened (American?) World /62
Tomasz GnatNarcissus’s Narcosis: Formation of Self, Disintegration of Self: A Question of Interactive Entertainment and Player-Character Identity Correlation /75
Part TwoHerstories: The Self and Women’s LiteratureKaren Ferreira‑MeyersDoubling or Dividing the Self: Examples from Autofictional Writing as Influenced by Psychoanalysis /89
Anna BugajskaDescent into Hell. Pauline Anstruther’s Long Way To Her Self /102
Grażyna Zygadło “I change myself, I change the world.” Storytelling in Women’s Art /111
Writing to Preserve the Self: A Woman’s Resistant Position in the Patriarchal Dystopia of Margaret Atwood’s The Handmaid’s Tale /123
Karolina BłeszyńskaIn the Search of Self: Female Identity and Subjectivity in Doris Lessing’s “To Room Nineteen” /137
Part ThreeTherapy through Writing?Łukasz GiezekA Therapeutic Journal: Peter Ackroyd’s The Last Testament of Oscar Wilde /151
Tomasz MarkiewkaT(h)au for Torture? Writing on Trial in Teodor Parnicki’s Novel The Finger of Threat /161
Eliene Mąka-Poulain“In Violence and Epiphany”: Seamus Heaney’s North /178
Wojciech DrągWriting Cure? Narrating Loss in Kazuo Ishiguro’s An Artist of the Floating World and The Remains of the Day /190
Anna Cholewa-PurgałNeo-Nihilism and the Self Industry of Logotherapy /205
Małgorzata Nitka“So many pages a day.” Writing, Compulsion, and Modernity /228
Agata WilczekUnnameable Loss: Melancholy and Postmodern Writing /240
Part FourSearching the SelfAleksandra LubczyńskaIllness – Therapy – Catharsis. Gender Roles, Camp, and Postmodern Identities in The Rocky Horror Picture Show /265
Maria PerzyńskaTherapy or Obsession? Dante Gabriel Rossetti’s Problems with His Self /276
Jarosław GizaTrapped in a Vicious Circle of the Tragic Triad… Miltonian Satan and Conradian Kurtz’s Process of Unearthing Authentic Identity /285
Stephen HarrisQuestioning the Cultural Industry of the Self: Fiction, Selfhood and Individualism in Patrick White’s The Vivisector /296
I Am Not Me. The (Re)construction of the Self in Graham Swift’s Ever After /319
Alicja Bemben, Ewa Mazur-WyganowskaRomantic Legacy in Non-Romantic Times. Two Different-Similar Approaches to Searching for Self-Identity /334
Monika GorzelakFrame of Mind. Self Industry in Performance /344
Venice–Iceland: A Journey to Utopia /353

MariaKorusiewicz

chaos,theno-placeofthePlatonickhora.Wallsarebuilt–betweenthelightand

darkness,reasonandemotion,egoandid,manandthemonstrous.However,in

ourdualisticuniverseofoppositeforceswetendtoforgetthatwhatisunderesti-

matedand/orfeared,is–ifweusethewordsofPlato–our“monstrousmother,”

“thematrix,”theparadoxical“nurseofallbecoming”thathastobefacedand

accepted.

Westerntraditionstendtorenderdominantfemalemotifsaslessvalid;the

remnantsofanearlierstageinthedevelopmentofculture.“Teperceiveduni-

versalityofOedipuscomplexhasresultedinthedeﬁnitionofmother-soncon-

ﬂictsasmoreprimitive.”Consequently,“ithasinﬂuencedviewsofaggressive

phenomenaasadaptive,andself-sacriﬁceasaggressionturnedinward.”Iwould

replacethewordinwithfromintheformerquotation.Feministcriticismtaught

uslongagothattheOedipaltransferenceoferoticismandpowerinpsychologi-

caltheorieshasvalidatedthealreadydeveloped,essentialmaleviewofculture.

TemajordiferencebetweenFreudandKosawaandbetweentheOedipus

mythandthestoryofAjaseliesintheperspectiveeachtakesonthefeminine.

IntheOedipusmyththefeminineforceremainslockedwithintherealmofthe

monstrous,inhabitedbothbythefemaleSphinxandtheincestuousbutpassive

Jocasta.IntheJapanesestoryitistheenergyofthemother-sonrelationthatis

alwaysinfocusandshapestheplot.BothAjaseandtheQueenareabletomove

intotherealmofviolenceandmonstrosity;however,theyalwaysemergefrom

itwithsomeemotionalandspiritualgain,whichimmediatelyinﬂuencessocial

relations.Hisevilintentionsinthefaceofall-forgivinglovebecomethesourceof

guiltfeelings,openingthepathtoawakeningandreconciliation.Herguiltfeel-

ingsaretransformedintocompassionatelove.

TereisnofearinvolvedasisthecaseofOedipus;paternalaggressionis

absenthere.Teshifinthepositionandroleofa“mother”marksthedińerence

betweenthedisjunctivecategoryofﬁliationdeﬁningtheOedipus-Jocastarela-

tionshipandthemutuallysupportiverelationshipofalliance–theﬁnalresolu-

tionoftheconﬂictandemotionalcloseness–ofAjaseandtheQueen.31Female,

pre-OedipaltransferencesofKosawa)sinterpretationoftheAjasestoryopen

adiferentpathforconceptualizationofculturallyshapedemotions.

TowardtheHealingoftheSelf

TefocalpointofthenarrationinAjase)sstorybecomesadeepinsightinto

thenuancesofthematterofinterpersonalrelations,whichinKosawa)sanalysis

31Cf.DeleuzeandGuattari,Anti-Oedipus,218.

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